liz glynn

CV

EDUCATION

2008    MFA, California Institute of the Arts, Art and Integrated Media

2003    BA, Harvard College, Visual and Environmental Studies

 

SOLO EXHIBITIONS / PARTICIPATORY COLLABORATIVE PROJECTS

 

2012    (upcoming) No Second Troy, curated by Ciara Ennis, Pitzer Art Galleries, Claremont CA (catalog)

 

2011    Alexandria and Other Losses, Works Sited at the Los Angeles Public Library, Los Angeles

 

2010    III, produced by Redling Fine Art, Los Angeles

             Out of the Forest & Into the Light, Machine Project & the L.A. Opera Ring Cycle Festival, Los Angeles CA

             California Surrogates for the Getty, Anthony Greaney, Boston MA

 

2009    The 24 Hour Roman Reconstruction Project, Arthouse at the Jones Center, Austin TX

             65 | 77 | 03 | -, workspace, Los Angeles CA

All that is solid, Anthony Greaney, Boston MA

 

2008    The 24 Hour Roman Reconstruction Project, Machine Project, Los Angeles

SELECTED GROUP EXHIBITIONS

 

2012

(upcoming) Los Angeles Goes Live, as part of the J. Paul Getty Museum Pacific Standard Time initiative, L.A.C.E., Los Angeles

 

2011

(upcoming), Temporary Structures, the Decordova Museum of Art, Lincoln MA

7 Sculptors, Kathryn Brennan Gallery, NYC

Greater Los Angeles, curated by Eleanor Cayre, Benjamin Godsil, and Joel Mesler, NYC

On Forgery: Is one thing better than another?, LA><ART, Los Angeles

No Swan So Fine, Michael Benevento Gallery, Los Angeles

The shortest distance between two points is often unbearable, Brand New Gallery, Milan, Italy

Sculpture, Paula Cooper Gallery, NYC

Object Lessons, Carpenter Center for the Visual Arts, Cambridge MA

Collective Show, with the Public School, Human Resources, Los Angeles

Verse | Chorus | Verse, Art Los Angeles Contemporary Special Projects, Los Angeles

Embarrassment / Theory, Gallery KM, Santa Monica CA

 

2010   

Let Them Eat LACMA, Los Angeles County Museum of Art, Los Angeles

The Big Four, Steve Turner Contemporary, Los Angeles CA

Projects and Assignments, curated by Andrew Berardini, Saprophyt, Vienna AU

Phenomenal: Selections from the Manuel de Santaren Collection, Young Projects, LA

Perform Now!, in collaboration with Corey Fogel, Human Resources, Los Angeles CA

Bizarre Animals, curated by Carlin Wing, Harvard Museum of Natural History, Cambridge, MA

 

2009   

The Generational: Younger than Jesus, curated by Lauren Cornell, Massimo Gioni, and Laura Hauptman, The New Museum, NYC

Bellwether, Southern Exposure, San Francisco CA

Perform Now!, organized by Marcus Civin, Chung King Project, Los Angeles CA

Untitled, (with Nate Page) Bolsky Gallery, Otis College of Art & Design, Los Angeles CA

Performing Economies, Fellows of Contemporary Art, Los Angeles CA

Paradise, (with Mariechen Danz), 7th and Fig Art Space, Los Angeles CA

Material Histories, O’Artoteca, Milan, Italy

 

2008

A Machine Project Guide to LACMA curated by Mark Allen and Charlotte Cotton, Los Angeles County Museum of Art, Los Angeles

Late Night Snack, REDCAT Lounge, Los Angeles

Exchange Rate 2008, Sea and Space, Los Angeles

Old Los Angeles Zoo, SLAB / Art 2102, Los Angeles CA

GLAMFA, CSU Long Beach, Long Beach, CA

We Want a New Object, curated by Malik Gaines and Christine Y. Kim, Acuna-Hansen Gallery, Los Angeles

 

2007

Late Night Snack, Beta Level, Los Angeles CA

           

2006   

Flex Your Textiles, John Connolly Presents, NYC

 

RESIDENCIES & AWARDS

 

2011    Artist in Residence, with Machine Project, SPACES, Cleveland OH

 

2010    California Community Foundation, Emerging Artist Fellowship

Artist Researcher, Los Angeles Goes Live, L.A.C.E., Los Angeles

Best Public Art Project, Austin Critic’s Table

 

2009    O’artoteca, Milan, Italy

 

2007    Atlantic Center for the Arts, New Smyrna Beach, FL

Joan Mitchell Foundation Associate Artist fellowship

 

2006    Vermont Studio Center, Johnson VT

 

2004    Alfred Alcalay Prize

 

 

PRESS & PUBLICATIONS

 

2011

Neel, Tucker. “The Big Four.” X-TRA Magazine, Summer 2011

 

2010

Mizota, Sharon.  “Art Review: The Big Four at Steve Turner Contemporary.”  Los

Angeles Times, December 3

Rutzmoser, Jon.  “Basement Wagner: A Brief History of the Bayreuther Festspiele”, X-tra

Magazine, Winter 2010

 

2009

Mayer, Anna. “Letter from Los Angeles.” Proximity Magazine, Winter 2009

Faires, Robert. “Arthouse: It Takes a Village to Raise a City.” The Austin Chronicle, October 2

Faires, Robert. “The 24 Hour Roman Reconstruction Project was too built in a Day.” The Austin Chronicle, September 25

Berardini, Andrew. “The Rise and Fall of Liz Glynn” Anthony Greaney Gallery

Wehr, Anne.  “The Generational: Younger than Jesus.” Frieze, June / August 2009

Cotter, Holland. “Young Artists, Caught in the Act.” The New York Times, April 9

Saltz, Jerry. “’Jesus’ Saves: God Bless the New Museum’s New Triennial” New York

Magazine, April 9

Higgins, Chester. “Building Rome in (Just Over) a Day” New York Times ArtsBeat Blog

Hung, Jochen, Junger Als Jesus, Die Zeit, April 29

Vogel, Carol.  “Inside Art – A Plan to Reconstruct Rome.” New York Times, March 27

The Younger than Jesus Artist Directory, The New Museum, NYC

Mann, Elana, “Exchange Rate 2008”, in Da y to Day by Carolina Caycedo

“Container of Experiences.” Domus, March 2009

A Machine Project Field Guide to LACMA, LACMA, Los Angeles

 

2008

Finkel, Jori.  “Arty Subversives Storm the Museum.” The New York Times, November 28

Hill, Jason. “The Image of the City: Notes on Mark Bradford’s Help Us and Liz Glynn’s 24 Hour Roman Reconstruction Project.”  Art Lies, Summer 2008, pages 28-31.

Ting Lipton, Shana.  “Student Art Show Takes a Field Trip to Chinatown.”  Los Angeles Times, May 29

Friedrich, Kristin.  “The Don’t Miss List.”  Los Angeles Downtown News, May 26

Weissman, Benjamin, editor, ULTRA, CalArts MFA Catalog Project

Farnbee, Mindy.  “The 24 Hour Roman Reconstruction Project: You, the Empire Builder,” Los Angeles Times, January 17

 

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